Old garage in London transformed into a public building with 38 m² This old abandoned garage is nestled between terraced houses, near Finsbury Park, in the north of London city. 24 Mar 2026 min de leitura When we think of public buildings, we tend to imagine large structures in height or volume. This is an idea shaped over centuries, dating back to the many examples from Ancient Rome, where public space was meant to represent power both symbolically and physically. However, in some densely populated cities, there has been a move towards creating small-scale public buildings as a way of exploring new ways to represent the collective. In these cases, scale ceases to be a limitation and instead becomes a conceptual challenge. Transforming just a few square metres into a place with urban presence, public identity, and a sense of community requires extreme attention to proportion, materials, and the sequence of spaces. The Stroud Green Housing Centre, in north London, is a clear example of how a very small building can achieve an (almost) monumental presence. A civic space A miniature public building Built to serve as the headquarters of the Stroud Green Housing Co-Operative, the project occupies an infill plot of just 38 m², nestled between terraced houses near Finsbury Park, within a residential context where any intervention risks going unnoticed. The London-based studio Owain Williams Architects is responsible for the project, which transformed a former abandoned garage into the organisation’s new headquarters. The architectural goal was to ensure that the centre would be perceived as more than just an office; the intention was to create a space open to the neighbourhood, recognisable and welcoming. For the studio, “the central principle was to create a small but meaningful civic building that embodied the cooperative’s organisational values: community, ingenuity, and ambition.” Multi-purpose spaces When the street enters the building The urban strategy involved allowing the street to “enter” the building. The volume, raised on a concrete base, features a timber structure façade clad in Scottish larch, a material chosen to resonate with the fences of neighbouring gardens. Within this plane, a large window and a generously proportioned wooden door are integrated, inviting people inside. A threshold that defines everything One of the most distinctive elements of the project is precisely this large entrance door. When opened, it reveals a small porch with a mirrored ceiling and full-height glazing, designed to strengthen the visual and symbolic connection between the interior and the street. Two levels For the studio, this threshold is fundamental to the perception of the building: “the entrance sequence, the large door that opens every morning and gives access to a mirrored vestibule, is perhaps the most defining gesture. Despite its small scale, this threshold gives presence to the building and conveys the feeling of waking up every morning and retreating every night.” Inside, the centre is organised as a single flexible space, capable of functioning as an office, a walk-in consultation clinic, or a community meeting room. The power of double height The rear half of the building was raised to create a double-height volume, expanding the perception of space. This gesture is reinforced by a row of high-level windows, reminiscent of a triforium, which introduce deep and even natural light. Also noteworthy is the ceiling with skylights which, according to the studio, “lifts the central area of the floor, bringing in light and air and making the interior feel more spacious and calm than its footprint suggests, with a sense of exuberance and ambition.” In a building of this size, light becomes almost a material. White walls Simple materials, strong presence The materials used in the interior follow this same ambition. The walls are finished in white and are wrapped with a continuous skirting of grey timber panels, adding visual warmth and durability for everyday use. The floors combine vinyl in blue-green and mint-green tones, introducing a soft chromatic nuance that reinforces the identity of the space without making it feel heavy. At the rear, a built-in storage wall separates the main area from the service zones, kitchen, and bathroom, which are lit by circular skylights and finished in a palette of cream tones. Kitchen Share article FacebookXPinterestWhatsAppCopiar link Link copiado